Tips and reviews for musicians from Stan Stewart (aka muz4now)
I’m rarely impressed by a new service for musicians, but there are exceptions. Audiam looked like it was off to a great start initially in 2013 and appeared to be most of what the makers touted it to be. Time will tell if they can deliver on the initial promise of this service. In addition […]
initial review of Audiam YouTube Payment Services Read More »
Some time ago, when I was looking for a way to share and sell my recorded songs, I did a brief review of ReverbNation for song sales that got some great comments. RN did not then and as you’ll see, still doesn’t get high marks with me. ReverbNation looks like it could be a one-stop-shop for bands. On the
With the death of VibeDeck, I really think BandCamp is one of the best things around for indie musicians just getting started or for more established bands/musicians, but with small budgets. Even if you have money to spend, BC is a great service and and great deal whether it’s your only resource like this or
Being real in social media One theme that is consistent in both my writing and my life: being real. You’ll find it in the titles and subjects of my posts; in my general understandings about life; in my poetry; and now in my social media philosophy posted at Tracy Ready’s terrific blog. Overextending myself turned
I’m pleased to have Kevin Jacoby as a guest writer again for his “The Art of Improv” series. Be sure to read part 1 as well. I admire KJ as an entrepreneur, musician, writer, and friend, so I’m extremely happy to have him offer this second part on the subject of music and improv. Read and “listen”.
I’m unbelievably happy to have a guest post from one of my favorite blog writers: Kevin Jacoby. For more about KJ, read and click the links in his bio block at the end of this post. Picture yourself on a stage. The sun sets behind the hills as the sodium lights prepare to chase away
OK: you got some local gigs and you are really loving playing out. Now what? Time to rest and enjoy the moments of success? Um, no. Once you have a local gig or two, it’s time to decide where you’re headed next. Do you want to get more local gigs? Do you want to tour?
In the late 1980’s, I left my former profession and moved to California to “do music and nothing else”. Just saying that was not enough. I quickly found out that I had to pay the bills. And those California bills were considerably more costly than the ones I had left behind in Texas. At many
I really don’t need to add to the fray regarding the possible demise of musicians making money by making their music. It’s been covered in so many ways: give your music away, piracy killed independent music, no it didn’t, and The Trichordist’s excellent essay on changes in the structure of payments to musicians for their
If you haven’t already found it, please click over to Sessionville’s web site and read my post with networking tips for getting local gigs. Independent bands and solo artists should find these tips to be of interest. While you’re there, be sure to check out what else Sessionvile has to offer. The crew there is
four networking tips for getting local gigs – at @Sessionville Read More »
